Rebirth Hubble Space Telescope

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Films are seen in large, silent, darkened theaters, where intense light beams are projected from behind toward luminous surfaces in front. There is an enforced and anonymous collectivity of the audience because, for any screening, all viewers are physically present at the same time in the relatively enclosed space of the theater. In contrast to this cocoon-like, enveloping situation is the fragmentary, dispersed, and varied nature of television reception. The darkness is dissolved, the anonymity removed.... While the aura of cinema spectatorship produces hypnotic fascination, the atmosphere of television enables just the opposite—because the lights are more likely to be on, one can get up and return, do several things at once, watch casually, talk to other people, or even decide to turn the television off.
—Sandy Flitterman-Lewis, U. S. educator, critic. “Psychoanalysis, Film, and Television,” Channels of Discourse: Television and Contemporary Criticism, ed. Robert C. Allen, University of North Carolina Press (1987)

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Not bedding, but a “relationship,” is what women seek. And in this difference it is impossible to fail to acknowledge a distinct superiority of the feminine sensibility, however cantish this may sound. Whereas men are overwhelmed by the strong pulsations of the body, women remain free to bestow a wider meaning to the corporeal elements of the erotic. The erotic does not end in spastic contractions and reflex discharges; it transcends them, to reach into the ethereal realms of memory and feeling, like a note that reverberates long after the string has pulsated.
Woman may resort to her body in ways congruous with her aims and in a fashion is apt to be ranked as “manipulative.” But only when she is long remembered and continually desired, as if by a cyclically renewed, ever kindled thirst; only when her image fills to capacity the consciousness of the man she has chosen, and stretches temporally beyond the meager boundaries of physiologic immediacy; only then does she claim to have won. When her immanent presence projects across time and space to leave a profound impress on another being: then she has “scored.”
—F. Gonzalez-Crussi, Mexican-born U. S. pathologist, educator. “The Conditions for Seduction, According to an Old Chinese Text,” On the Nature of Things Erotic, Harcourt Brace (1988)